Almost more impressive was Marlen Bieber, the young singer of the Fox. Sovereign, self-confident, beautiful in sound and very precise in the nuances of the figure design. This is a fox to fall in love with.
- SZ from November 21, 2022, Jens Daniel Schubert
about the Premiere THE CUNNING LITTLE VIXEN at Chemnitz Opera
Almost more impressive was Marlen Bieber, the young singer of the Fox. Sovereign, self-confident, beautiful in sound and very precise in the nuances of the figure design. This is a fox to fall in love with.
- SZ from November 21, 2022, Jens Daniel Schubert
about the Premiere THE CUNNING LITTLE VIXEN at Chemnitz Opera
"There is enough, reduced to itself, playing and singing by Marie Hänsel and especially Marlen Bieber, who gets justified bravos [...]"
Stadtstreicher Dec 2022, Eske Bockelmann
The round, warmly glowing Mezzo-soprano Marlen Bieber complements the following family formation as a wonderfully tomboyish partner with pubertal demeanor.
- IOCO from November 20, 2022, Thomas Thielemann
about the Premiere THE CUNNING LITTLE VIXEN at Chemnitz Opera
The main roles cast with Marlen Bieber (Hänsel) and Marie Hänsel (Gretel) accordingly lyrical and with very beautiful voices. Both play their roles with downright childlike freshness.
- Das Orchester from October 4, 2022, Matthias Corvin
about the DVD Recording HANSEL UND GRETEL recorded in 2021 at Chemnitz Opera
Roma Frasquita and Mercédès seductively alive sung and played by Daria Kalinina and Marlen Bieber [...].
- Freie Presse of September 24, 2022, Matthias Zwarg
about the Premiere of CARMEN at Chemnitz Opera
Enthralling and worthy of a Loriot in his comedy Marlen Biebers Solo as a department store clerk who repeatedly explains the operation and functionality of an "Omega"-vacuum cleaner from "Schmölln" to the witch Emma [...].
- Freie Presse from June 4, 2022, Torsten Kohlschein
about the Premiere SPUK UNTERM RIESENRAD at Chemnitz Opera
Marlen Bieber is the center of attention both as a bride and as a singer - everything revolves around her. She manages to fill this center effortlessly with her mezzo spanning between lyrical and dramatic timbre (and excellent intelligibility) [...].
- Freie Presse from October 21, 2020, Wofram Quellmalz
about the Premiere of UN MARI À LA PORTE at Chemnitz Opera
The programme includes bizarre songs based on Wilhelm Busch by Kunads teacher Fidelio F. Finke.
Marlen Bieber with her magnificent, rich mezzo-soprano she sang in a multifaceted way and with a clever sense of form.
- Dresdner Neueste Nachrichten from October 8, 2019, Mareile Hanns
about the SEMPER SOIREE WENDEPUNKT at Semperoper Dresden
Soloist Henryk Böhm [...] also belonged to the choir, as did alto Marlen Bieber, who took part in the cantata »Behold, let us go up to Jerusalem« (for Sunday Estohimi, BWV 159). Both soloists (now in front of the orchestra) were sensitive and clear, balanced and very pleasantly reserved (calm) in timbre.
- Neue musikalische Blätter from March 4, 2019, Wolfram Quellmalz
about BACHKANTATEN-VESPER at Kreuzkirche Dresden